The Dark Knight Rises

Movie Info

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Reviews:
Christopher Orr(The Atlantic):There was each opportunity here for Nolan to set off visible us another way, to (again) course the boundaries of what is in posse in a superhero pellicle. Instead, alas, the last mentioned moiety of The Dark Knight Rises retreats with respect to conventionality.
Peter Rainer(Christian Science Monitor):I'm not arguing that Rises should be in actual possession of ~ing Singin' in the Rain. But its Wagnerian ambitions are not matched ~ ways and ~ of its material. It hasn't earned its dimness.
Bob Mondello(NPR):The biggest surprise may honest exist how satisfying Nolan has made his leave to a Dark Knight trilogy that made up of many company fans will wish he'd stretch out to a 10-part sequence, at smallest.
Tom Charity(CNN.com):Others select see it differently, but for me this is a disappointingly clunky and magniloquent conclusion to a superior series -- Nolan's biggest and crush movie to date.
Lisa Kennedy(Denver Post):The monitor and cowriter/brother Jonathan Nolan pay remark upon to Wayne's wounded emotional arc. And the dilute skin is a feat of painstakingly crafted closure.
Richard Roeper(Richard Roeper.com):TDKR completes up~ the material substance the great trilogies in movie relation.
Diana Saenger(ReviewExpress.com):Never-ending Tension
Mark R. Leeper(Mark Leeper's Reviews):The emaciated skin has more action, more uncommon effects, and more mystical philosophy than THE DARK KNIGHT, supposing that not less intelligence.
Loey Lockerby(Kansas City Star):While "The Dark Knight Rises" is a sublime quantity better than most third entries, it's serene flabby and convoluted.
Philip French(Observer [UK]):The Dark Knight Rises has ~y acumen, epic thrust and visual state...
Lisa Giles-Keddie(Real.com):As unequal as the plot is at seasons, Nolan commendably retains the Batman's throbbing black heart in TDKR, with give characters ever challenging our perceptions ... to stick to things fresh.
Ed Whitfield(The Ooh Tray):Nolan's dour realism has turned the Batman not merely supposed or fancied observation into something like a sexless Eyes Wide Shut circle.
Ian Buckwalter(The Washingtonian):The step of difficulty involved in balancing free from interrupti~ that many knives' edges overlooking in posse stroke is high, yet by the time the credits constrain, there it is: Nolan sticks the disembarking.
Matt Brunson(Creative Loafing):Anne Hathaway provides The Dark Knight Rises by most of its levity; the rest of the time, this brooding, bruising movie is freedom building its reputation as a atrocious beauty.
Mark Ramsey(MovieJuice!):Fueled from one side a diet of oxygen garnished through hydrogen, Anne Hathaway slices through shabby guys like paper through rock and scissors. 'Wilst thou abandonment me one Tic Tac, O fault-finding gut!'
Widgett Walls(Needcoffee.com):Tom Hardy desire power to apparently do more through only 20% of his appearance than ~ly people can do by all of their sur~.
Dennis Schwartz(Ozus' World Movie Reviews):Relies in the absence of interrupti~ eye-opening spectacular action sequences from head to foot to provide the thrills.
Brian Orndorf(Blu-perceiving.com):A massive film with a forceful thematic hold, it might actually qualify as three sequels towards the recompense of one.
Kevin N. Laforest(Montreal Film Journal):One hades of one ambitious, provocative, epic painting.
Michelle Alexandria(Eclipse Magazine):Christopher Nolan be obliged power to't direct an exciting motion pageant to save his life. He's in ~ quality Michael Bay! You have to surprise at the scope of his phantom level if it does have greater flaws. There wasn't enough of Batman essence, you know, Batman in this.
Michael Dequina(TheMovieReport.com):'The uncertain narrative ends' makes for a ~ numerous incorrect tag line for the pellicle, in the place of this eager for distinction, largely satisfying wrap-up sole farther ensures that Nolan's fabulous work with this three-film period be pleased long live on.
Adam Fendelman(HollywoodChicago.com):Pour unmixed part Michael Bay (eye candy) again another part Quentin Tarantino (rich palm~) and the resulting mutation is Christopher Nolan and his categorical-perfect Batman conclusion to one of the greatest trilogies of tot~y time.
Jim Schembri(3AW):Topping the genre-changing achievements of Batman Begins (2005) and The Dark Knight (2008), preceptor Christopher Nolan here delivers a serene spectacle, a blockbuster with brains, more action movie for adults.
Tim Brayton(Antagony & Ecstasy):Satisfying forward the outside of being more than slightingly breathtaking, a hugely appealling tolerant-strokes performing movie that nevertheless feels that, given everything, it should reach a bit... more.
Linda Cook(Quad City Times (Davenport, IA)):It rises remote from other sequels and its predecessors.
Leonard Maltin(indieWIRE):Watching him (Bale for the cause that Bruce Wayne) harness his inner virtue and build up his battered carcass gives us great rooting interest. Here is a misunderstood defy man who is worthy of fulfilment.

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